The Black Khan

I’ve said it before, but it bears repeating: I will read anything Ausma Zehanat Khan writes. She is not only a skilled, talented author, but also an amazingly kind, generous, and thoughtful human being. If you’re looking for an unbiased, critical review of the second book in Khan’s epic fantasy series, The Khorasan Archives, you will not find that here. I am a devoted fangirl, and meeting Khan IRL is high on my bucket list, although I know I would likely be paralyzed with nerves should that ever happen.

I finished reading The Black Khan today and have spent the last hour trying to wrangle my thoughts together to form a coherent thread. I’m failing miserably. Thankfully, I added notes to Goodreads as I read, so I have a little help. The Black Khan is the sequel to The Bloodprint, which was released last year. It picks up right where the first book left off and starts with absolutely gut-wrenching action scenes. I spent much of my time reading with my fist between my teeth to keep from gasping or crying or yelling. The plot is dark and twisty and you’re never sure who to trust.

The major players from The Bloodprint are here, along with a large cast of new characters. The new characters are well-developed, each with his or her own set of complex motivations. They feel real. That is, perhaps, the best compliment I can give – this feels like a living history. You can see, smell, and hear everything that occurs on the page because Khan breathes life into her world. She carefully crafts this world in such detail that it plays like a film in the reader’s mind, but without getting so bogged down that it feels like a dry textbook. At the heart of The Black Khan is the magic of language, The Claim. Khan’s own use of language in her storytelling is just as magical.

While The Bloodprint introduces us to Khorasan and a world where women are subjugated by the Talisman, The Black Khan is even darker. Here we get an up close look inside the borders of the Authoritan’s lands of north of the Wall, his prisons, and systems of torture. We see the machinations of the courtiers in Rukh’s lands of West Khorasan, and get an even more detailed look at the inner workings of Hira. It’s dark and violent, but we also meet the resistance groups. The ending promises hope, and that is what will keep me reading. I’m sure there is more death, pain, suffering, destruction, and heartbreak to come, but there is also a light that offers hope, a promise of salvation for the people, and I cannot wait to see what comes next.

This is a planned four book series. I know there are a lot of people who don’t like to start series until they are all finished, and I understand that. I do. I hate the wait between finishing a book and the publication of the next installment of the story of a year (or more). I have shed more than one tear over a press release stating a book’s publication date has been delayed. But allow me to throw a plug out there for all authors – even if you don’t want to start reading the series until all the books are written, buy the ones that are out now and buy the others as they are released. Authors are not guaranteed their subsequent novels will see the light of day, regardless of the plans they have for their fictional world, and publishers make those decisions based on sales of the previous  books. If everyone waited until the entire series was published, it would never happen. So, on behalf of one of my favorite authors and, in fact, on behalf of all authors, if you’ve read a blurb of a book that intrigues you and you are the kind of person who buys books, pick up a copy even if you don’t crack the cover until the story is complete. Help ensure we all get to hear the ending.

~ by Rachel on November 12, 2018.

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